Co-ordinating the magicians

Managing VFX is a daunting subject and a big task, even for smaller films. It’s so complicated that films that can afford it will hire a separate VFX Editor just to keep track of the film’s VFX and to create temp comps as placeholders until the VFX come in.

Pj has worked as VFX editor on a wide range of projects, big and small. From big budget Hollywood spectacle to the smaller television shows with big aspirations but much smaller budgets...

BROOKLYN ANIMAL CONTROL (pilot)

​​NBC / Universal

Dir: Brian Kirk, Prod: David Goyer

CHILDHOOD'S END

SyFy / Universal

Dir: Nick Hurran, Prod: John G. Lenic

JONATHAN STRANGE & MR NORRELL

BBC / Feel Films

Dir: Toby Haynes, Prod: Nick Hirschkorn

HERCULES

MGM Pictures

Dir: Brett Ratner, Prod: Beau Flynn

VANTAGE POINT

Sony Pictures Entertainment

Dir: Pete Travis, Prod: Neal H. Moritz

HITCHHIKER'S GUIDE TO THE GALAXY

Spyglass Entertainment

Dir: Garth Jennings, Prod: Nick Goldsmith

THUNDERBIRDS

WorkingTitle Films (Framestore CFC)

Dir: Jonathan Frakes, Prod: Mark Huffam