Co-ordinating the magicians
Managing VFX is a daunting subject and a big task, even for smaller films. It’s so complicated that films that can afford it will hire a separate VFX Editor just to keep track of the film’s VFX and to create temp comps as placeholders until the VFX come in.
Pj has worked as VFX editor on a wide range of projects, big and small. From big budget Hollywood spectacle to the smaller television shows with big aspirations but much smaller budgets...
BROOKLYN ANIMAL CONTROL (pilot)
NBC / Universal
Dir: Brian Kirk, Prod: David Goyer
CHILDHOOD'S END
SyFy / Universal
Dir: Nick Hurran, Prod: John G. Lenic
JONATHAN STRANGE & MR NORRELL
BBC / Feel Films
Dir: Toby Haynes, Prod: Nick Hirschkorn
HERCULES
MGM Pictures
Dir: Brett Ratner, Prod: Beau Flynn
VANTAGE POINT
Sony Pictures Entertainment
Dir: Pete Travis, Prod: Neal H. Moritz
HITCHHIKER'S GUIDE TO THE GALAXY
Spyglass Entertainment
Dir: Garth Jennings, Prod: Nick Goldsmith
THUNDERBIRDS
WorkingTitle Films (Framestore CFC)
Dir: Jonathan Frakes, Prod: Mark Huffam
