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Visual Effects editing

Co-ordinating the magicians

Managing VFX is a daunting subject and a big task, even for smaller films. It’s so complicated that films that can afford it will hire a separate VFX Editor just to keep track of the film’s VFX and to create temp comps as placeholders until the VFX come in.

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Pj has worked as VFX editor on a wide range of projects, big and small. From big budget Hollywood spectacle to the smaller television shows with big aspirations but much smaller budgets...

THE WATCH

BBC America

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Prod: Johann Knobel

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HIS DARK MATERIALS

HBO / BBC

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Prod: Jane Tranter

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BROOKLYN ANIMAL CONTROL (pilot)

​​NBC / Universal

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Dir: Brian Kirk, Prod: David Goyer

CHILDHOOD'S END

SyFy / Universal

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Dir: Nick Hurran, Prod: John G. Lenic

JONATHAN STRANGE & MR NORRELL

BBC / Feel Films

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Dir: Toby Haynes, Prod: Nick Hirschkorn

HERCULES

MGM Pictures

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Dir: Brett Ratner, Prod: Beau Flynn

VANTAGE POINT

Sony Pictures Entertainment

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Dir: Pete Travis, Prod: Neal H. Moritz

HITCHHIKER'S GUIDE TO THE GALAXY

Spyglass Entertainment

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Dir: Garth Jennings, Prod: Nick Goldsmith

THUNDERBIRDS

WorkingTitle Films (Framestore CFC)

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Dir: Jonathan Frakes, Prod: Mark Huffam

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